Thesis Of The French Revolution

Thesis Of The French Revolution-40
The second chapter will consider the ways in which this perspective was adopted and transformed by the Revolutionary authorities, who sought a system of music (and the arts) which could inculcate Republican principles.In the last chapter, I will complete the present study by examining the nature of the Revolution’s political music itself, evaluating two case studies and taking into account modern scholarship’s interpretation of the repertoire.The French also saw how the Americans overthrew an absolute monarch and obtained freedom (Krieger 484).

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One document, “Paris Scenes,” written by Louis Sébastien Mercier before 1789, foreshadowed the violence which was to come to Paris. Anne-Robert-Jacques Turgot wrote, “Because it takes a long time before we are convinced of their inutility, foundations have sometimes become positively harmful before they have even been suspected of being useless.”[1] One could apply this reasoning to the French monarchy in the late 18th century, particularly in the reigns of Louis XV and his grandson, Louis XVI, neither of whom possessed the sheer intimidating will of Louis XIV. The function of caricature within the public sphere can be described as a subversive weapon.[1] It can be said that caricature as a subversive medium can function as an instigator of social, political and artistic change...

During the Revolution Mercier served as a deputy of the Convention and was connected to the Girondins. provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines.

“ Nor have we settled in our minds the difference between disturbance and revolution.” Paris workers based this symbol of the Revolution on sadistic acts, again illustrating the violence that would consistently be exhibited throughout the duration of the Revolution, once again supporting Furet’s argument. Read Article »The British Empire of the nineteenth century displayed and embodied racism in its composite.

Before the Bastille the Réveillon riots were cited as chaotic, so violent acts were not unexpected, yet the volume of violence was increasing as the Revolution progressed. In embodying this idea of racial inequality, the Empire created grounds on which it could justify the imperialist actions that it executed throughout the...

Circumstances also heightened the level of violence, which occurred from 1793-1794. Terror is nothing but prompt, severe, inflexible justice; it is therefore an emanation of virtue; it...

Therefore, both theories hold validity, yet the question remains: were there warning signs to this violence before the Revolution even began? Common analysis of Marat is predominantly derived in his own radical written works, however there is also speculation about his character from “blind admirers and passionate enemies.”[1] Marat elicits absolute judgments from his contemporaries and revisionists in regards to his disposition and his role during the French...The grain harvest had been low the previous year, so the price of bread rose.Bread was usually the only thing that the poor ate, and raising prices would make them starve (Krieger 484).The French Revolution marks a stain in history, notorious for one of the bloodiest periods in modern civilization.Whether this infamous violence existed at the birth of the Revolution or only during the Violence was predicted even before tensions peaked in France, and undeniably was existent during the beginning stages of the Revolution. 18.) Ibid If the mainspring of popular government in peacetime is virtue, the mainspring of popular government in revolution is both virtue and terror: virtue, without which terror is disastrous; terror, without which virtue is powerless.He discussed the peasant riots and draws constant comparisons to the British, illustrating his belief in their stable political system thus illustrating how unstable the Parisians themselves were becoming. Representing the work of students from hundreds of institutions around the globe, On February 14th, 1965, just one week before he was assassinated, Malcolm X delivered a speech in Detroit.“…[A]nd their violence would be the more cruel, since they lack in themselves all power to control it.” Throughout this publication, Mercier’s comparison of Paris in the 1780s to England’s Revolution acknowledges some of the hindrances involving the Parisians. He spoke about his beliefs concerning segregation and civil rights, and made a point of contextualizing the civil rights movement globally...The immediate causes of the revolution were the rising price of bread and the locking of the third estate out of its meeting hall.Finally, the spark was the ordering of the Swiss guards to Paris by Louis the XVI.In order to justify this assertion, I will examine the evidence from three angles in respective chapters.The first chapter will consider the nature of Enlightenment musical aesthetics, its foundations in Classical conceptions of music, and its path to the Revolution.

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