They understand this by the end of the play or novel.What’s more, they couldn’t have helped what had happened because their flaw—pride, love, etc.—isn’t something they could control.This really gets the pity party going in the audience.
They understand this by the end of the play or novel.What’s more, they couldn’t have helped what had happened because their flaw—pride, love, etc.—isn’t something they could control.This really gets the pity party going in the audience.Tags: Business Plan ToolThesis Pattern In FilipinoUlb Uni Bonn DissertationenMath Story Problems 4th GradeCreative Non Fiction Writing PromptsThesaurus Problem SolvingBest Websites For EssaysPeer Editing Rubric Creative WritingRashomon Effect Essay
Romeo’s obsessive love is what causes him to kill himself at the thought of Juliet being dead (if he had held out another hour or two, he would’ve been fine).
And inadvertently, it’s Romeo’s suicide that causes Juliet’s death.
Okay, so you might be wondering what a tragic hero is exactly.
The name is a pretty good clue—a hero or protagonist that is, in some way, tragic. A tragic hero is a character, usually the main character, who makes a mistake in judgment that ultimately leads to his or her undoing.
Now that you’re feeling a little more sure about what a tragic hero is, it’s time to start looking for tragic heroes in the literature you’re reading.
Probably the easiest place you’re going to find a tragic hero (but maybe not the easiest to read about) are from William Shakespeare. Pretty much any tragedy he wrote has one, and the tragic hero is typically a title character—Romeo, King Lear, Hamlet, Macbeth … (I’ll give more details about a couple of these later.)But Shakespeare wasn’t the first, last, or only author to use this type of character in literature.The main two qualities about tragic heroes, though, is that they are just like you and me and that they suffer more than they deserve to.This is critical to the response writers want to evoke from readers.Aristotle had a lot to say on the subject of tragic heroes, including certain characteristics their stories possess.Some of these characteristics include some scary-looking Greek words (thanks, Aristotle), but here’s a basic breakdown of what they mean.Unlike Romeo, Gatsby is completely idealistic in his love for Daisy—he’ll do anything for her, but she wouldn’t do the same for him. Gatsby is so busy reaching for an ideal that he’s never satisfied.He surrounds himself with money and parties even though he doesn’t take any real pleasure from them. When he finally gets the girl, he still isn’t satisfied. So it doesn’t matter if some people say Snape isn’t, as long as you can back your writing up with evidence that he is.Instead, he remains indecisive about whether his uncle, Claudius, was the murderer.Even after he discovers his uncle killed his father, he can’t decide on how to enact his revenge and obsesses over it.Do you ever get so connected to a character that it almost physically hurts when the character gets killed off?For me, it happens all the time when I watch Game of Thrones.