This perspective, is rooted in the narration Conrad gives to Marlow.American helicopters, which are coming to rescue Willard, then appear in the sky over the compound; and Willard shoots wildly at them, as the film comes to an end.Here, the film version of a novel is the interpretation of comparing and contrasting apocalypse now and heart of darkness screenwriter and the director of that particular comparing and contrasting apocalypse now and heart of darkness.
It has been said that film and fiction have both fed at the same breast.
This is a striking way of observing how often novels are transformed into the big screen, considering the affinities between film and fiction.
Nonetheless, in emphasizing the close relationship between film and fiction, one must acknowledge that they still remain two different media of expression.
Comparing and Contrasting Heart of Darkness and Apocalypse Now We have so large base of authors that we can prepare a unique summary of any book. We'll occasionally send you account related and promo emails.
It is more difficult to imply in a movie, than it is in a work of fiction, that a given account of past events is being presented from the subjective point of view of one of the characters — as when Willard recalls in his voice-over commentary his initial misgivings about carrying out his secret orders to assassinate Kurtz when he finds him.
This is because a film audience is always conscious that it is watching what is being dramatized in flashback on the screen — not through the eyes of the character who is narrating the events in question—but through the eyes of the camera.Along this line, this paper looks at the relationship between fiction and film.In comparing and contrasting these two popular works, it is important first to briefly analyze the nature of film and fiction as two distinct media.This is simply because in the novel, the narrator often communicates his subjective reaction to the episodes from the past he is narrating to the reader.In identifying so strongly with Kurtz, Coppola alters the issue of power and upsets the delicate balance between the subject of Vietnam and the Conrad story.In the spring of 1975 Coppola told comparing and contrasting apocalypse now and heart of darkness interviewer that his next film would deal with the Vietnam War.The script had updated the story to the Vietnam War and turned Kurtz from an ivory trader into a Green Beret officer who defects from the American army and sets up his own army across the Cambodian border where he proceeds to conduct his own private war against the Vietcong.As Coppola describes this ending, Kurtz, a battlemad commander, wearing two bands of machine gun bullets across his chest, takes Willard by the hand and leads him into battle against the North Vietnamese.Yet although the settings and backgrounds of novella and film are quite different, the manner in which the story is narrated in each instance is very well similar.While it is true that the central character remains on the screen more than anyone else in the movie, and his comments are often there on the sound track, the viewer still does not see others completely from his point of view, as the reader does in the novel.Hence, Apocalypse Now is robbed of some of the emotional intensity that one feels when one reads Heart of Darkness.