In the cities, shooting with a wide lens (19mm in your case) will be better; it will let you shoot in more narrow streets and offer different point of views.
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Visit Stack Exchange What are some other tips on how to compose a great photo with prime lenses?
Let the light lead you to the right spot from which to take the photo. I try taking different angles, try to be "artsy" when shooting with a prime lens.
On recent vacations, I've been multiple times to Europe (mostly the capitals) and stopped shooting monuments and other more tourist-ish sceneries and concentrate on details and street views.
The point most photographers are trying to make who advise someone learning the art to use prime lenses is that using a prime lens, whether it be a very wide angle lens with a 180° Field of View (Fo V) or a long telephoto lens with a 2° Fo V, forces you to use what is at your disposal and move around to 'work the shot'.
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By doing so you learn how that particular focal length relates to subject size/shooting distance, separation of subject and background/foreground, and how perspective can change the appearance of your subject.With a zoom lens, there's a temptation to point your camera at your subject and then compose your photo.Of course with a prime lens you still will use the viewfinder for exact framing (along with shifting your position as needed), but it lends itself to a technique where you visualize the desired result , which can help make you a better photographer.(Zoom lenses benefit from this awareness as well, of course, but having the flexible focal length can be used to avoid problems that would be better solved.) But this will start to come naturally as you work with the lenses and can see what differences small changes in your position can make. My approach is usually to use one lens until I exhaust what I see with it, and then change to the other, rather than switching on a per-photo basis.But it's also universally true that the way to see a great shot for a particular lens is to switch to another one.I've been told, and it sounds obvious in retrospect, that if I try to use my prime lenses as a zoom, it will be inconvenient to swap lenses all the time, like for every few shots. The key to using prime lenses effectively is to use them enough that their field of view becomes instinctive to you, so that you can stand somewhere and know what the resulting image will look like, without even looking at the viewfinder.Then, rather than watching your camera, you watch the world, and when you see a photograph, you take it.Generally, I choose a lens and try to stay in its "mindset", and switch when I feel that doesn't match the scene, or when I see a different creative possibility called to mind by my knowledge of the other lenses in my bag.And then I stay with that lens until the same occurs.They're both versatile focal lengths suitable for many different types of photography.I tend more towards the normal and switch out for a much wider ultrawide when I want that perspective or a much narrower portrait telephoto for details.